Volcanoes and Shelters, a mixed-media installation including photography, is no exception. I am thinking in particular of the photo series grid of Icelandic houses and shelters. Each photograph, contextualized beautifully against the famous Icelandic landscape, looks like it is about to start a film. I imagine easily a couple fighting cogently (à la Bergman) or a dream sequence (à la Sally Potter). In stripping away the story and leaving only the context, Eliasson masterfully prompts us to imagine something where there is nothing.