Erika Cohn’s latest documentary is a bitter reminder of how women in public office need to be constantly excellent, and not just merely good.
A small bathroom in a London townhouse is the site of large domestic ruptures.
The wellness retreat becomes a grievance summit in John Helde’s latest.
It has been observed, quite often, that there are very few good roles for Hollywood actresses of a certain age, and whether we take the fictional or real actresses, this observation holds.
Being judged for your looks is no longer a punch line.
How responsible are we for our community? What are the limitations, the boundaries of helping others who are not our family or friends?
Merci, Jeanne! Jeanne Moreau: A Real Woman Modernity and the legacy of war in Elevator to the Gallows (1958) La Notte (1961)