Erika Cohn’s latest documentary is a bitter reminder of how women in public office need to be constantly excellent, and not just merely good.
A small bathroom in a London townhouse is the site of large domestic ruptures.
It has been observed, quite often, that there are very few good roles for Hollywood actresses of a certain age, and whether we take the fictional or real actresses, this observation holds.
Being judged for your looks is no longer a punch line.
How responsible are we for our community? What are the limitations, the boundaries of helping others who are not our family or friends?
Merci, Jeanne! Jeanne Moreau: A Real Woman Modernity and the legacy of war in Elevator to the Gallows (1958) La Notte (1961)
A well-crafted, perfectly-cast, subtle, and engaging portrait of a New York family going through some growing pains, Landline was a delight to watch. Robespierre and her team get the pertinent details of mid-nineties New York just right, but not to the point where the details of the place overtake the details of the plot: the…