Merci, Jeanne! Jeanne Moreau: A Real Woman Modernity and the legacy of war in Elevator to the Gallows (1958) La Notte (1961)

Merci, Jeanne! Jeanne Moreau: A Real Woman Modernity and the legacy of war in Elevator to the Gallows (1958) La Notte (1961)
Alice Rohrwacher, as shown by her lovely first feature film, Corpo Celeste, and her latest, The Wonders, is a first-rate filmmaker and thoroughly original storyteller. Her films convey confidence in her work, ability and subject […]
The Garden in question is certainly Edenic; from the opening credits we are treated to the dappled, soft, pastel haze of sunlight through the trees. There is a high garden wall which keeps out the […]
The threat of sexual violence pervades throughout Vittorio de Sica’s astute and complete La Ciociara, for which Sophia Loren won an Oscar. Throughout the film, de Sica captures the jittery, overhead threat of war; whether […]
When I think of Jeanne Moreau, I always think of her in La Notte in a black spaghetti-strap dress, chin down, eyeing Marcello Mastroianni carefully with her terrifying eyes. In French and Italian, from Antonioni […]