Frantz Hoffmeister, a soldier, fiancé, son, and friend, is dead and thus physically absent, but you know from the first five minutes of the film that he will continue to be unnervingly present. Like memories […]

Frantz Hoffmeister, a soldier, fiancé, son, and friend, is dead and thus physically absent, but you know from the first five minutes of the film that he will continue to be unnervingly present. Like memories […]
The “Bachelor Girls” interviewed in Shikha Makan’s brisk documentary are professional women in their 20s and 30s, educated and gainfully employed in the large, cosmopolitan Indian city of Mumbai. For some landlords, these women would […]
Canadian filmmaker Randall Lloyd Okita (featured at CAAMFest 34) is known and admired for his oblique yet powerful narratives, even in his more abstract, short works such as Machine with Wishbone (2008) and Portrait as […]
I was already tense during the opening titles of Asghar Farhadi’s latest, The Salesman. Having seen several of his films, I was prepared for something akin to a thriller, or even a pastoral murder mystery, […]
In paying video homage to a museum’s collected works of Japanese masters, Tabaimo reminds us of how nature and landscape greatly influenced Japanese decorative art, and also reminds us of the power of time-based media […]