These classic American films, released just within a year of each other, are noted for some well set-up scenes: in Bullitt, it’s The Car Chase, and in In The Heat of the Night, The Slap Back. I recently watched these back-to-back, and I noted the delineation of class. In the first instance, Bullitt represents the working class, Chalmers The Man. In The Heat of the Night is on the surface about racism; but what I noted the most was Mr. Tibbs’ educated, well-paid Northerner versus Gillespie’s relatively uneducated and underpaid Southerner. It should not come as a surprise that these two films came out when they did and tackled the race and class issues that they do. Law enforcement is a canvas primed to illustrate those divides, and the 1960s was a decade of immense socio-political awareness and change. Nonetheless, these films surprisingly retain a boldness and clear style which transcend their genre and year of release.
Bullitt (1968), 113 mins.
In The Heat of The Night (1967), 109 mins.
Also read: Ivy Cool